Corante

About this Author
Gwen Smith Ishmael, Sr. Vice President of Insights and Innovation at Decision Analyst in Arlington, TX, has led marketing and new product development activities in the CPG and technology industries since 1986. She also conceived and developed ground-breaking Web-based promotional vehicles, two of which are patent pending. Gwen holds an MBA in Marketing and is a featured speaker on insights and innovation around the world. Her writings have been featured in international text books, most recently in Managing 4 Ps of Marketing FMCG Sector, and Product Innovation: A Strategic Tool for Growth, by ICFAI Publications, 2006 and 2007, respectively.

Founding Author

Renee Hopkins Callahan Renee Hopkins Callahan started IdeaFlow and serves as chief blog-wrangler. She is Director of Innovation Services at Decision Analyst in Arlington, Texas, is a former journalist who worked as an editor and reporter for The Dallas Morning News and the Nashville Tennessean, and was managing editor of D, the Dallas city magazine. She has a master's degree in rhetoric and has also taught college-level English and informal logic.

IdeaFlow

Monthly Archives

February 24, 2006

The difference between mistakes and failure lies in what comes next

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Posted by Renee Hopkins Callahan

Cohen.jpgWatching the Olympics these last couple of weeks I have been struck by the difference between mistakes and failure. Last night Sasha Cohen skated onto the ice as a potential gold medalist and within seconds fell attempting her first jump. What came next? She bobbled the second jump too. What came next? She pulled herself together and won the silver.

A week or so ago, also within seconds of starting her program, Chinese pairs skater Zhang Dan was thrown to the ice and crashed into the wall. What came next? Her partner Zhang Hao helped her up, and within minutes they restarted their program and they won silver in their event as well.

How do they try these jumps again so soon after falling on that hard, unforgiving ice? The figure-skating commentators (who aren't winning many fans themselves, but that's another story) have pointed out more than once that attempting a difficult jump and failing gets more points than not attempting it at all. So you could say that it's built into the mechanism of the sport. Try, fail, try again.

I understand making a mistake and "covering" for it in performance. I'm a musician, and one of the things I practice is how I might fudge my way past a forgotten chord change or lyric, so that the performance doesn't come screeching to a halt. But that's not the same thing. There is no fudging around when you land on your butt on the ice. It's obvious. And it's painful. So how do they learn to move past the pain, shame and fear quickly enough to jump right up and move back into the program?

If we could learn that in business, our innovation efforts would be vastly more successful. I've been thinking about this a lot lately. Gwen and I are working on a conference presentation based on the "what drives innovation?" theme I've written about here before. As part of our research, last week I interviewed Vincent Barabba, former head of strategy at GM and author of Surviving Transformation. The discussion turned to fear of failure and learning from mistakes, and at one point I apologized for letting us get off topic. "Actually, this is central to your topic," he replied. He's right. Vince's theory -- one mistake should be allowed, and a concerted effort made to learn from that mistake. And the rewards system should reward experimentation.

It seems to me that as a culture -- except for isolated pockets such as sports -- we've lost any serious approach to learning from mistakes. This may be partly because learning from a mistake means taking responsibility for having made it in the first place. If you can't do that, you can't get to the learning.

And then, how *do* you learn from mistakes? It can't be as simple as,"Well, I won't do that *that* way again." It's much too facile to say "we must learn from our mistakes" and "we must create an environment that rewards risk-taking." *How* does that work on a corporate level, or in a business of any size?

Photo: ©Amy Sancetta/AP, from the Seattle Post-Intelligencer

Comments (8) + TrackBacks (0) | Category: Corporate Climate | Experimentation, culture of | Failure

February 21, 2006

February 20, 2006

More on Douglas Rushkoff

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Posted by Renee Hopkins Callahan

I still haven't gotten to Douglas Rushkoff's Get Back in the Box: Innovation From the Inside Out. But while working with my other blog project, the Corante Marketing Hub, I came across two interesting posts on Rushkoff by Johnnie Moore.

The first explores "the revenge of the geeks" -- the notion that deep knowledge of your business, industry, product are much more critical when it comes to sustaining an idea (and, I would argue, an innovation) than the fame and celebrity you attain as a business leader. In other words, the quality of Macintosh products is more important to the company's success than Steve Jobs' fame.

The second Rushkoff-related insight Johnnie posted was that "geek-level knowledge is critical to seeing a difference between the profoundly new and the merely novel." This relates to one of the pillars of Teresa Amabile's model of creativity -- domain-relevant knowlege (the other pillars are environment, intrinsic motivation and creativity skills).

Comments (2) + TrackBacks (0) | Category: Creativity | In the box innovation | Innovation, General

February 11, 2006

Book review: Orchestrating Collaboration At Work: Using Music, Improv, Storytelling, and Other Arts to Improve Teamwork

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Posted by Renee Hopkins Callahan

OrchCollab.jpgThe last post talked about creativity at work and collaborative creativity, and those are the subjects of the book Orchestrating Collaboration At Work: Using Music, Improv, Storytelling, and Other Arts to Improve Teamwork by Linda Naiman and Arthur Van Gundy. The book was published in 2003 by Wiley/Jossey-Bass/Pfeiffer, but is now available through Linda's website as a .PDF download for $48.99.

This is a hefty book -- 265 pages -- chock full of exercises that can be used for teambuilding, ice breakers, energizers, and to stimulate creativity, to teach teams to work through change, think strategically, and collaborate more effectively. I downloaded it, printed it out, and had it comb-bound, and now my copy is now is full of sticky notes on exercises I've vowed to try for various client projects and training sessions.

Those who have to defend the use of the arts in business will find a lot of help here as well. The first part of the book lays out th authors' argument that the arts are just what business needs today. A sample:

"Businesses today want to break away from their limitations, aim higher, and be a creative force for good in the world. We need the transformative experiences that the arts give us to thrive in a world of change."
This section includes interviews with luminaries such as John Seely Brown, and case studies from companies such as the World Bank and Lexis-Nexis.

Van Gundy and Naiman did not make up every single exercise -- approximately 35 others contributed exercises as well. The resulting variety is a welcome breath of air after the shelves of books available that set forth a theory for creativity and then offer exercises that don't vary much. In addition to many exercises, the authors' contribution is in the extremely useful and clear presentation of these exercises. They're divided into section according to the art form used -- music, drawing, painting, collage, storytelling, improv, poetry, and others. And each one includes a clear statement of the objectives, the uses (team-building, change management, etc.), the time required and materials needed.

Bottom line -- this is well worth the $48.99. I have spent many times that amount to go to week-long conferences that didn't give me anywhere near this much useful information that I could take back to my work.

Comments (0) + TrackBacks (0) | Category: Books | Coaching | Collaborative Creativity | Corporate Climate | Creativity | Training

Creativity At Work: The 2006 American Creativity Association Conference

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Posted by Renee Hopkins Callahan

CreativeTackweb.jpg I'll be participating in a panel on collaborative creativity next month at The American Creativity Association's annual conference, which will be March 22 to 25 in Austin, Texas. The panel will be led by Paul Schumann, a futurist who has been leading a group project to create an Innovation Commons. Also on the panel will be Jon Lebkowsky, Jeff De Cagna, Mark Fox, and Ellen Domb.

I found last year's ACA conference enlightening and great fun, and a wonderful blend of what I've referred to before as the two main appraoches to creativity and innovation -- as religion and as process.

This year the conference is specifically focused on creativity at work, and conference organizers say attendees will "gain skills and knowledge that will increase their value to your organization while enhancing their self-growth." These skills and knowledge include:

* Effectively integrate and apply creating, innovating and thinking into every day business lives.
* Accelerate creativity to compete in the market place — speed up your creative processes.
* Explore identifying both the problem and its root cause. Improve results through the creative application of problem solving techniques.
* Recharge creativity batteries in ways that complement innovation.

A few of the over 70 sessions offered:

* Enabling Collaborative Creativity at Work
* The Athlete Mindset: Learn and apply the same creative methods used by professional athletes to succeed in pressure situations
* Using TRIZ Lines of Evolution to Predict and Unfuzzy the Fuzzy Front End
* Creativity, Innovation, and Global Competitiveness
* Innovate On Purpose™
* Creative Ways to Recruit a Creative Workforce – A Case Study
* The Birth of Novelty: Ensuring New Ideas Get a Fighting Chance
* A Study of the Applicability of Idea Generation Techniques
* Risk Taking as factor of Creative Thinking
* A study of the relationships among gender, group size, personal creativity, and group technological creativity

In addition there will be pre-conference workshops including a two-day De Bono workshop and a one-day TRIZ workshop. The ACA is offering a team discount if three or more people from the same company sign up.

Comments (1) + TrackBacks (0) | Category: American Creativity Association

February 9, 2006

All boxed up: In the box, out of the box, burn the box, big box!

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Posted by Renee Hopkins Callahan

boxcat.jpgThanks for all the kinds comments on our In-the-Box Innovation white paper. One commenter, Hans Henrik H. Heming from the design innovation blog CPH 127 steered me toward an August 2005 post of his on big box thinking that you should definitely read:

"Knowing your parameters is great, but even better is learning how to broaden that 'sweet spot' and increase the creative possibilities. They call this Big Box Thinking, because it's a way to bridge the divide of the conservative in-the-box, supply-chain perspective and out-of-the-box creativity."
And down in Hans' comments, Ian MacArthur says he has sometimes moved toward
" 'burn the box' thinking. Often this apparently radical approach may lead to the sense that one is speaking a different language to others and this can become problematic and perceived as lacking credibility. There are consequences to departures from the norms within organisations in the name of innovation and creativity. The 'bigger box' methodology might be viewed as an acceptable balance. Especially so within more consevative business cultures."

Other commenters have recommended the new Douglas Rushkoff book, Get Back in the Box: Innovation From the Inside Out. I just got my copy from Amazon two days ago -- this is one of those cases where the "in the box" meme has been floating in the air for some time, and Rushkoff picked it up about the same time we did, apparently! In fact, we were ready to move on to a different metaphor, but that one works so well to describe very useful, important way of looking at creativity and innovation. It doesn't hurt that it pokes fun at one of the hoariest cliches ever!

I'll be reading Rushkoff and posting my comments shortly. I understand you can read excerpts from the book on his blog archives. And here's a link to an interview with Rushkoff about his book by Marc Babej, a fellow Corante Network blogger.

Comments (0) + TrackBacks (0) | Category: In the box innovation